About Me

I started my journey as a musician, playing the guitar, keyboard, and trombone. As my interest in coding grew, I envisioned blending my technical skills with the world of audio. That curiosity led me to enrol on the Sound Engineering course at Birmingham City University, where my exploration at the intersection of technology and sound truly took off.

Throughout my time at university, I dived into a mix of projects – from crafting audio effects and synthesisers, to designing recording studios and organising festival events. This fusion of musical flair and programming know-how allowed me to sculpt sonic experiences in unique and exciting ways.

Along the way, I ventured into the realm of machine learning, working on projects involving audio classification, black-box modelling and reinforcement learning.

Current Status

Currently I’m studying my 3rd year of Sound Engineering and Production at Birmingham City University. During this time I am also working part time as a visiting demonstrator teaching audio software development.

Technical Skills

Solid understanding of Gitflow and typical software development methodologies
Skilled in Python with hands-on experience in TensorFlow and PyTorch for designing and implementing deep neural networks
Expertise in developing applications and audio software using C++ and JUCE framework
Familiar with DSP techniques and extensive experience using MATLAB for signal analysis and processing
Proficient in designing and implementing CI/CD automation testing pipelines tailored for audio software and hardware products
Working knowledge of front-end technologies, including HTML, CSS, and JavaScript, demonstrated in this portfolio

Experience

September 2024 - Present

Junior Software Engineer at Audient

January 2024 - July 2024

Visiting Demonstrator at Birmingham City University

August 2022 - August 2023

Quality Assurance Automation Internship at Audient

Education

September 2020 - June 2024

Birmingham City University

BSc Sound Engineering and Production

Audio Software Development: 88%

Sound Recording: 69%

Acoustic Fundamentals: 82%

Audio Electronics: 83%

Digital Audio Fundamentals: 87%

Live Sound Reinforcement 1: 87%

Digital Signal Processing: 70%

Music and Audio Industries: 80%

Recording, Production and Delivery: 71%

Broadcast Sound: 72%

Audio Systems: 90%

Acoustic Applications: 69%

Digital Audio Effects: 88%

Game Audio: 84%

Live Sound Reinforcement 2: 81%

Music Information Retrieval: 75%

Individual Honours Project: 84%

September 2018 - May 2020

King Edward VI College, Nuneaton

Computer Science: A

Music Technology: A

Music: B